The Ghost in the Glossy: Vogue’s AI Model and the Crisis of Realness
Tobi Ambah Tobi Ambah

The Ghost in the Glossy: Vogue’s AI Model and the Crisis of Realness

In the August 2025 issue of Vogue, an AI-generated model for a Guess campaign sparked backlash not for its virtual nature, but for its hollow representation of beauty. Stripped of context, identity, and narrative, the image raised unsettling questions about authenticity, authorship, and the future of fashion. This isn’t a critique of AI itself, but a warning: when technology mimics without meaning, it risks erasing the human stories that make fashion matter.

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When Controversy Sells: Sydney Sweeney, Jeans > Genes, and Provocative Branding
Tobi Ambah Tobi Ambah

When Controversy Sells: Sydney Sweeney, Jeans > Genes, and Provocative Branding

At the end of last month, American Eagle dropped an ad campaign featuring Sydney Sweeney with the tagline: “Sydney Sweeney has great jeans.” But when the visuals implied a pun on “genes” — linking her blonde hair and blue eyes to inherited superiority — the backlash was instant. Critics called it a dog-whistle for white nationalist aesthetics. Supporters called it marketing genius. And the brand’s stock soared 18%.

But this wasn’t a misstep. It was a manoeuvre. In today’s fashion economy, outrage isn’t risk — it’s ROI. As brands trade controversy for clicks, we’re left to ask: what happens when shock becomes the strategy, not the side-effect? When visibility trumps values? And when style is just a carrier for spectacle?

In the algorithm age, attention is currency — but trust is still the only true luxury.

What might have been a cheeky pun landed with the force of history. In the visual language of advertising, Sweeney — blonde-haired, blue-eyed, and framed as aspirational — became a vessel for something deeper: a not-so-subtle echo of eugenics-era aesthetics. Within hours, social media exploded. TikTokers, writers, and digital critics accused the brand of racial insensitivity, beauty essentialism, and dog-whistle politics.

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The Periphery is the Pulse
Tobi Ambah Tobi Ambah

The Periphery is the Pulse

Fashion’s future isn’t being dictated by Paris or Milan — it’s being reinvented in Lagos, Seoul, and Tbilisi. As once-peripheral cities become global style powerhouses, the old map is losing relevance. This piece explores how authenticity, digital platforms, and rising creative hubs are redistributing fashion’s authority — for good.

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